True or not, the story echoes themes of guilt, betrayal and self-interest found in Mr Kundera’s own work, such as “unbearable lightness” (dodged but burdensome responsibility). In “The Owner of the Keys”, a play published in 1962, the hero kills a witness who sees him sheltering a former lover from the Gestapo.
Uketsu profile
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*The Mainichi* has Narumi Tateda's Kyodo profile of the Strange
Pictures-author, in Mystery man Uketsu reflects on Dagger shortlist, early
life in B...
5 days ago
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