Volkov states in the first paragraph of the introduction that his book covers a period of "world wars, convulsive revolutions, and the most ruthless terror," but thereafter he dispenses with moral outrage in favor of cool analysis, often looking for rationales behind the state's hideous behavior. In any case, the accumulation of assembled facts is more than sufficient to drive home the pervading grimness. The suicides of some of the era's finest poets supply a telling example: Sergei Yesenin, the "New Peasant" poet, in 1925; Vladimir Mayakovsky, who as a good Soviet denounced Yesenin's suicide yet killed himself anyway, in 1930; and the tormented Marina Tsvetaeva, in 1941. Empress Maria Fyodorovna told Yesenin that his poetry was "beautiful but very sad," to which he replied that so was all of Russia.
WLT's 75 Notable Translations of 2024
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They've announced *World Literature Today*'s 75 Notable Translations
of 2024 -- an always useful overview of many of this year's significant
transla...
22 hours ago
1 comment:
You might be interested in the website for a new novel Reconstructing Mayakovsky. The site, http://www.reconstructingmayakovsky.com
is fun, inventive and interactive. Like the novel, it combines elements of science fiction, poetry, the detective story and historical fiction to tell the story of Mayakovsky in a radically different way.
If you enjoy it, I hope you’ll share it with your friends or on your blog. Thanks.
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